1,192 Royalty-Free Audio Tracks for "Altered Dominant Musical Scales"

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

Dominant seventh tritone resolution chords, As MIDI

Dominant seventh with root doubled and missing fifth resolving to I, in C.

Dominant seventh in Monteverdi's "Lasciatemi Morire" ("Oh, Let Me Die"), Lamento_d'Arianna. Created by Hyacinth (talk) 09:44, 12 January 2012 (UTC) using Sibelius 5.

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

11-tet scale on C. MIDI pitch bend matches intervals.

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q

Aeolian scale of C

An OGG file that plays a C chromatic scale

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Dominant eleventh chord in four-part writing.

German sixth equals dominant seventh

Dominant raised ninth flat five chord on C. C E Gb Bb D#.

Dominant minor ninth flat five chord on C. C E Gb Bb Db.

53-tet scale on C (22.64 cent steps). MIDI pitch bend matches intervals.

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

An arpeggio.

Rule of the octave, major scale.

Diatonic scale on C, staccatissimo articulation.

Scarlatti Sonata K319, bars 62-80, octatonic descending bassline

Janacek Sinfonietta 2nd movement, opening bars

Diatonic scale on C, staccato articulation.

Diatonic scale on C, legato articulation.

Diatonic scale on C, tenuto articulation.

Slendro vs whole tone scale on C

Audio con las notas musicales en piano C-D-E (Do, Re, Mi)

Diminished seventh chord's use in modulation.

Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Major scale on C. Created by Hyacinth (talk) 19:42, 1 April 2010 using Sibelius 5.

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

Altered dominant played twice then resolved to the tonic. Created using Sibelius and Audacity.

V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.

833 cents scale on C. MIDI pitch bend matches intervals.

Lydian augmented scale on C.

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

Lydian dominant scale on C.

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Dominant seventh in C in first inversion

Dominant seventh chord on C, played on guitar in open position.

Dominant seventh chord on C, played on guitar, barre chord.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

Minor major seventh chord on C.